is an actor/playwright living in New York City. Seth has had his plays produced in Michigan and Cincinnati, as well as New York. His play, Jonesin’ was produced by The University of Michigan as part of their mainstage season while he was still an undergraduate; it subsequently won The 2008 McIntyre Prize for Distinction in Undergraduate Playwriting, the Naomi Saferstein Literary Award, and The Avery Hopwood Award for Drama. In 2009 his play The Man With American Skin also received the McIntyre Prize and The Avery Hopwood Award for Drama (a record shared only by Arthur Miller). The Man... received a workshop at New York Theater Workshop and was later produced as a part of The Araca Project in 2012. Wolf Inside, a radio thriller, was produced at WNYC's Greene Space as a part of the program Blind Fear. Seth was the co-founder of Prophet in your Pocket, which creates poetry-inspired devised pieces, incorporating multi-media, puppetry, spoken word and mask. They performed in NY as well as the Midwest. Other Writing: - Catch. (Cincinnati Fringe); China Town Is Full of Rooms (Blue FireProd); Ghosts In the Tapestry (in development);#serials@theFlea (Multiple Plays). As an actor, Seth is a frequent collaborator with Ed Iskandar and his company, Exit Pursued By A Bear, as well as a former Bat at the Flea Theater.
is a director and producer in New York City and the Artistic Director for Naked Angels. Her primary focus is the development of new plays and musicals. Liz has worked at The Dramatists Guild, EST, The Flea, Keen Company, Manhattan School of Music, The New Group, The Playwrights Realm, Studio 42, Williamstown Theatre Festival, and more. MFA: The New School for Drama. 2013 Drama League Directors Project Fellow.
is a New York-based production designer for plays, musicals, opera, fashion, and live events. Upcoming: THE CIRCUS IN WINTER (world premiere, dir: Joe Calarco) at Goodspeed; THE CA LYONS PROJECTS (world premiere, dir: Kent Gash) at the Alliance Theatre; CHOIR BOY (dir: Kent Gash) at Studio Theatre (DC); JASPER IN DEADLAND (dir: Brandon Ivie) at Seattle's 5th Avenue Theatre; NATIONAL PASTIME and COMPANY (dir: Hunter Foster) at Bucks County Playhouse; SILENCE! The Musical (dir: Alan Paul) at Studio Theatre (DC); 4000 MILES (dir: Alexander Greenfield) at the Aurora Theatre. Associate design: LIVING ON LOVE (dir: Kathleen Marshall) on Broadway.
Recent: the Drama Desk Award-winning world premiere production of THE MYSTERIES at the Flea Theare, written by 48 playwrights, directed by Ed Sylvanus Iskandar. Recent theatre: Paradise Factory, Flea Theatre, Two River Theater, Alliance Theatre, Serenbe Playhouse, Yale Dramat, Civic Theatre. Design work for fashion and events includes runway shows in the tents at Mercedes-Benz Fashion Week for Monique Lhuillierwith designer Andrew Ondrejcak, large-scale build-outs for Details Magazine at Lincoln Center and Cedar Lake Dance Center, and the 20th Anniversary Gala event at the Two River Theatre.
Associate/assistant design work includes plays and musicals for Broadway, Second Stage, Signature Theatre (NY), the Public, the New Group, Two River Theater, Denver Theatre Center, the Alliance Theatre, the Alley Theatre, South Coast Rep, Syracuse Stage, Cleveland Playhouse, American Repertory Theatre, and NBC television, among others.
Jason graduated with honors from New York University.
has been working in theatre and film in NYC for the last 4 years, after finishing her graduate degree at Carnegie Mellon University. This past spring, she was nominated for the 2013 Drama Desk Award for Best Costume Design for The Flea Theater’s production of Restoration Comedy, by Amy Freed. She is a founding member and the Resident Costume Designer of Exit, Pursued by a Bear where she has designed Restoration Comedy by Amy Freed, Arok of Java and Greater Angels by Jason Williamson, The Further Adventures of Hedda Gabler by Jeff Whitty and Dani Girl by Kooman and Dimond. Other recent projects include Ma Rainey’s Black Bottom (Portland Stage), The Golden Dragon (Play Company), Venus In Fur (Singapore Rep), Castlewalk (NYMF), These Seven Sicknesses by Sean Graney (The Flea Theater), 666 Park Ave (Costume Coordinator / ABC), Mirror Mirror (Assistant to Eiko Ishioka / Relativity Media).
Agent: Jack Tantleff email@example.com
is a freelance lighting designer based in New York City. He brings a theatrical eye, unique passion for visual storytelling, and complete dedication to every project he is a part of. Jake has collaborated with theaters, companies, directors, designers, and artists all over the US and the world. Notable collaborations include work with clients such as Blue Man Group, Les Freres Corbusier, Time Magazine, Montblanc, and Norwegian Cruise Lines as well as lighting and production companies such as DBR, LLC., Scharff Weisberg, Focus Lighting, BML Blackbird, See Factor, Number Nine, Gray Matter Visual, and A.C.T. Lighting. Jake works primarily as a Lighting Designer for live theatre, along with work in architectural lighting, television lighting, and specials events lighting. He also works as an Assistant and Associate Designer internationally, regionally, Off-Broadway, and on Broadway for industry-leading designers including Jeff Croiter, Justin Townsend, Kevin Adams, Peter Kaczorowski, Rui Rita, Hugh Vanstone, David Weiner, and Scott Zielinski. When not designing, Jake works as a programmer and is fluent on most modern lighting consoles. He is also highly skilled in a wide range of entertainment industry technologies and software including 2D/3D drafting, rendering, 3D Pre-Visualization, audio and video editing, and media content development and playback. In fact, he even offers private training sessions for industry professionals looking to brush up on these tools. Outside of the theatre, Jake dabbles in photography (having shot most of the photos you’ll see here) and web design (having designed the site you’ll see them on). Jake is an Associated Artist with Theatre C, a NY-based theatre company focused on creating vibrant theatre through the unexpected fusion of disparate art forms.
Jake holds a BFA in Lighting Design from the Carnegie Mellon University School of Drama. He is also a proud member of the United Scenic Artists Local 829.
is a NYC based actor, director, writer, puppet designer, and co-artistic director of Strangemen & Co. Acting credits include The Woodsman (59e59) El Gato Con Botas (Tectonic Theatre Co.), On the Head of a Pin (Strangemen) , and Rhinoceros (UglyRhino). Design/directorial credits (puppet or otherwise) include: the Tempest (D.C. Shakespeare) King Lear (Public Theatre and Theatre for a New Audience) Midsummer Night's Dream (New Place Players) Miss Lilly Gets Bones (Studio 42) My Base and Scurvy Heart (Studio 42) The Little Mermaid (Glass Bandits), and The Woodsman (Ars Nova.) Recipient of the 2013 Jim Henson Foundation Grant.
decided she wanted to be a scenic designer when she was 13 years old and has never looked back! Combining her love of performance, theatre and fine art, Samantha is a scenic designer who received her BFA in Theatre Design and Technology with an emphasis in Scene Design from Penn State University, University Park. Now located in New York City, she recently spent two years at Google as the part-time Creative Designer for Facilities. Currently Samantha is freelancing in a variety of design projects in Props, Graphics, and Set Design.
Credits: Broadway: The Realistic Joneses, Nice Work If You Can Get It, A Streetcar Named Desire (Prop Artisan), The Mountaintop (Projections Asst.); London West End: Hairspray (ASM/Props);NY Scene Design credits: Camplified webseries,The Great Pie Robbery (FringeNYC), Stella Adler Studios, The Cell's Summer of Lust, Two Days til Dawn, Stagedoor Manor. Assistant Scenic Design: Pump Boys and Dinettes (Beechman), Outlaws (NYMF), PUSH (Kennedy Center Award in Scene Design); US Nat'l Tour: Angelina Ballerina (Props Design), Hairspray (in-house prop crew); Prop Designs Off B-way: Til Divorce Do Us Part, The Memory Show, LaGuardia Arts at Lincoln Center (Life of the Party, Sweet Charity), The Atmosphere of Memory (LAByrinth). Other recent artisan work: The Spoon Group: Macy's Christmas Windows 2010, SceniCorp: Gossip Girl, BET's Apollo Live!, 106 & Park. Propstar (Travesties, Tribes, Hurt Village), Becoming Dr. Ruth (Asst. Projections); Facilities Creative Designer at Google NYC office (2012-2014).
(Puppet & Movement Director)
is a Brooklyn based puppet artist and actor. His puppet play Chimpanzee was developed through The Puppet Lab at St. Ann's Warehouse where he is currently once again an artist-in-residence. Puppeteer credits include: Petrushka (Giants Are Small/NY Philharmonic, Barbican Centre, London), The Pigeoning (HERE/international tour), Spencer Lott's Blossom (The Henson Carriage House), Dead Puppet Society's The Wider Earth and Lydia Fine's The Illustrated Man (St. Ann's), James Ortiz's The Little Mermaid (Glass Bandits), LEM Project (dir. Matt Acheson and Tom Lee, Bulgaria). Acting credits include: Broadway: This Is Our Youth. Off-Broadway: Fidelis (The Public Theater), The Old Man and the Old Moon (PigPen Theatre Co.), Dead End (Irondale Ensemble). Off-Off: Set in the Living Room...(Theater Reconstruction Ensemble), Barbarous Nights (The Invisible Dog), Victor Frange Presents Gas (The Incubator Arts Project), These Seven Sicknesses (Exit, Pursued by a Bear). Regional: The Electric Baby (Two River Theater), When the Rain Stops Falling (Quantum Theatre). TV: The Mysteries of Laura. Film: Warrior. Nick studied at the Moscow Art Theatre School and holds a BFA in Drama from Carnegie Mellon.
In the realm of Classical Realism, Travis Schlaht’s subdued but powerful paintings are commanding ever-increasing esteem. After receiving a baccalaureate degree in Studio Art at The University of the Pacific (Stockton, CA) in 1997, Schlaht moved to New York to acquire a more stringent art academic education at the Water Street Atelier with Jacob Collins. During this time, the artist began to analyze his subject matter in determined contemplation, becoming adept in the genres of still life, portraiture and landscape.
Deftly rendered yet delicate and painterly, Schlaht’s works have an unspoken purity to them. He is well known for his still life paintings, composed of exacting detail, sensitive handling and dramatic use of color. Those drenched in a monochromatic and/or white palette are especially beguiling and seem reminiscent of James Abbott McNeill Whistler’s Symphony in White Series as well as the more extreme monochrome works of modernists Kazimir Malevich and, later, Robert Ryman.
His portraits are painstakingly accurate in likeness; however, they never seem to loose the evocativeness of each brushstroke. Each painting has a playful and light heartedness in its execution yet there is a seriousness and monumental quality to each finished work. Schlaht tends to the landscape with just as much care and intensity, creating precise and verdant canvases. Whatever the genre, it is quite clear that he understands and transforms the world around him in a manner that is thought-provoking and sincere.
Travis Schlaht is represented by galleries in New York, San Francisco, Cape Cod, and Charlotte, NC, and his work has been shown throughout the United States and England. He is also an instructor at the Grand Central Academy of Art and co-founder of the Hudson River Fellowship.
was born in London in 1968. She was raised in Paris where her parent’s pursuits exposed her to the world of the arts. Her formal art education began at age of 15 at L’Academie de la grande chaumiere, L’Academie Roederer and ATEP Lecompte. Dissatisfied with her studies she moved to New York where she worked briefly in the film industry. In 1994 she discovered traditional academic training at the Minnesota River School where she met Patrick Devonas, a major influence on who she would become as an artist. Lehman began studying at the Water Street Atelier in Brooklyn under Jacob Collins and Rick Piloco in 1996.
Her work has been shown in galleries and Museums across the country and in Europe. She currently lives in New York City and Paris with her husband Travis Schlaht and their two children.
is a queer Filipina-American theater artist dedicated to new work, non-realism, and intersectionality. Directing: Post Traumatic Super Delightful (All For One Theater, FRIGID Festival 2015, currently on a nationwide tour of colleges theaters, and crisis centers), Glutton for Punishment (EstroGenius Festival, Best Director Award); Between (Gallatin Arts Festival); boom by Peter Sinn Nachtrieb, 8: the Play by Dustin Lance Black (Vassar College). Angela is a Vassar College graduate and former Powerhouse Directing Apprentice. angelacdumlao.com